Mr. Media Interviews by Bob Andelman
Thursday, June 28, 2007
  David Bankston, "Neighborhood America" chief technology officer: Mr. Media Interview, Pt. 1

Today’s media newsmaker interview is a little different. I don’t expect many people will know either my guest, David Bankston, or the company he represents, Neighborhood America.

It’s very likely, though, that you may have already encountered a Neighborhood America program and not even realized it. The Naples, Florida, based company does enterprise-social networks for CBS, Fox, the Scripps Network, and HDTV, among others, and David Bankston is the co-founder and chief technology officer for Neighborhood America, a leading provider of solutions for online engagement and interaction via all forms of content.

Specializing in software integration and technical innovation, David has devoted much of his career to creating next-generation technologies specifically designed to solve real-world business problems.

Under his leadership, Neighborhood America’s solutions have been successfully adopted nationwide by various organizations, and media companies are turning to Neighborhood America in order to harness the power of the Web to effectively engage audiences. Prior to Neighborhood America, David’s technology career included fifteen years at Lexis/Nexis, where he was responsible for many innovations that are still in use today.

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BOB ANDELMAN/Mr. MEDIA: David, I suspect a lot of people are scratching their heads right now. Enterprise social networks? What the hell are you talking about?

DAVID BANKSTON: Basically, an enterprise social network is a network that is really focused to the enterprise. Now, let’s break that “social network” apart. I think people have pretty well got that figured out. It’s the MySpaces, it’s the YouTubes, even some of the photo-sharing sites, like Flickr and so forth. The term social network now has become, it’s almost ubiquitous. It’s almost anything that lets you get together and share content and start to meet others and have profiles and discuss your issues. It’s a way to bring together people who are interested in a specific community, and it’s a community of interest. We’ve really been working at this over seven years, we have taken that social network premise and focused it and built a platform, a net made of software as a service solution that tailors a social network to the enterprise, the enterprise being a business in the public sector, a government organization or an agency, and of course, in the media sector, a network. We have many networks, some of which you’ve mentioned, so these are communities that are purpose-built to create a new source of revenue for these individual businesses. Then specifically in the case of the public, it may be to be engage the public in a conversation, the equivalent of the old public comment ways. This is the new way to do public comment. So that is what an enterprise social network is.













ANDELMAN: So one example of what you’re doing might be Springboard, which you are doing for CBS, right?

BANKSTON: Yes.

ANDELMAN: The difference here, I want to point this out, because I have actually given this some thought, you tell me if I’m wrong here. MySpace is a social network, and people think of it as they are going in and they are having fun. It’s not enterprise-specific. However, it is certainly generating revenue for Rupert Murdoch and the Fox companies.

BANKSTON: Yes, but how could it generate revenue for CBS, for Johnson & Johnson, or some other brand? The problem with today’s social networks is that they are very much like the Wild West in that you really don’t know what you’re going to see from click to click or from page to page. There is no regulation, there is no moderation, very little, if any, and so when you are a business and you are looking for an ROI, you are looking a way to tap into your customer base, which then equals your social network, so you want to improve on things such as your R&D process, your product release process, your customer loyalty programs, etc., those are things that you want to have control over as you communicate with the social network or with your stakeholders in that social network.

ANDELMAN: It all sounds positive for the enterprise, for the company, but where does the independent user benefit from being part of an enterprise network as opposed to a social network?

BANKSTON: The consumer.

ANDELMAN: The consumer.

BANKSTON: Yes. Well, let’s take the example of like the Chrysler Corporation. Chrysler is looking to build or would love to have a social network built around their products and services, so what are the problems that they are trying to solve? Well, they are trying to improve their market share, they are trying to understand why they keep having so many misses in the market. Today, whatever they are doing isn’t quite working to tap into the new generation of car buyers. By using a social network, they can engage on a very personal level with these individuals who have bought their products in the past, who have an affinity for a Chrysler product, and who desperately want to provide that feedback to Chrysler in a way that it will be constructively listened to and acted upon, and then to have the full circle to actually see that that comment and that feedback was indeed incorporated into the next generation of product. So imagine you are a Chrysler 300 owner, and you are saying, “I really wish this armrest just was a little lower, because I keep bumping into it.” Well, you give that feedback and others like you then potentially give that feedback to Chrysler. The next generation car has a redesigned armrest because the people are then helping the corporation, who has done this in a vacuum in the past, to improve their products and services. Then I’m the consumer, I’m going to go buy another one because Chrysler heard me, and they did something about it, and they care about me, and that’s something I’ve gotten out of it. So that’s just one example.













ANDELMAN: I kind of sidetracked us there, but let’s talk about CBS and Springboard. First of all, what is Springboard?

BANKSTON: Springboard - it was actually a specific initiative. It was a contest, so in the case of CBS, they were looking to find an intern for Katie Couric this summer. They sent out a request to all of the main journalism schools saying, “Go to CBS.com, and you can submit a video of some of your work or a document, a white paper if that’s all you have, and you can have the chance of being considered for Katie Couric’s intern.” That may include on-air spots, that may include all sorts of really career-making opportunity for that individual. Using our social network and platform, they created this place where these journalism students then were able to create an account, submit their own media, and also comment, rate, and rank others’ content, and all of that feedback, then, is managed by our back-end solution again, which is software as a service. We were able to provide very comprehensive reports and actually, using the software you generate your own reports, and so from the data that they got, Katie was able to pick her intern, and they haven’t announced that yet, but they have picked an intern from that particular program.

ANDELMAN: And how many videos were contributed? How many people participated?

BANKSTON: You know, I can’t release that, because it’s CBS’s information.

ANDELMAN: All right, but was there advertising put on these pages?

BANKSTON: No.

ANDELMAN: No advertising?

BANKSTON: Well, there was advertising on the first login page, and then on some of the subsequent pages, there was less advertising until one of the upload pages had no advertising. So that’s a combo answer there.

ANDELMAN: This was not necessarily an effort to earn revenue as to maybe….

BANKSTON: No.

ANDELMAN: Were they more interested in testing it as a medium?

BANKSTON: They were testing it as a medium, number one. Number two, they were putting their toe in for just building social networks around the concept of journalism, and so it was a way to “Hey, can we just sort of put our toe in the water here and look at this concept?”






ANDELMAN: Interesting. Now, you guys did something else with Katie Couric, right?

BANKSTON: Yeah, we’ve done a couple things in the past. When she first took over the “CBS Evening News,” she actually sent out a request on the first evening of her program, she said to America, “I’m looking to figure out what my sign-off should be. Should it be, good night, good luck? Should it be, that’s all, folks?” Whatever it may be. And she played some famous sign-offs from other anchors, and so she asked America, “Well, what should it be?” Well, within really about, it was actually about twenty-four hours, we had over 50,000 responses on what your sign-off should be. Now, that’s one little simple question, and we had 50,000 people giving their comments on what that should be. And what was really interesting is all that was broken up by time zones, so you could see geographic locations of where people were listening and where they were commenting from or watching, and it was very interesting data that was obtained from that.

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© 2007 by Bob Andelman. All rights reserved.




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The
Mr. Media
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By Bob Andelman

TV STARS
Jon Provost/
Lassie

Anna Gunn/
Breaking Bad; Deadwood

Paula Garces/
Harold & Kumar; The Shield; Red Princess Blues

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Heroes

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Assume The Position, Arli$$, Hollywood Knights

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Fox TV

MOVIE STARS
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PU-239

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It's A Wonderful Life

MOVIE DIRECTORS
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Bernard and Doris

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In the Shadow of the Moon

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RevoLOUtion

Alex Ferrari/
Broken

POLITICS
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Politifact.com; St. Petersburg Times

Pete Von Sholly/
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David Andelman/
A Shattered Peace

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CrooksandLiars.com

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Cooking Light

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Billboard Magazine

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The Hollywood Reporter

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Lisa Granatstein/
Mediaweek

Eric Rhoads/
Radio Ink

Dale Hrabi/
Blender

Samir Husni/
"Mr. Magazine

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Digizine

Bob Guccione Jr./
Spin

Rob Tannenbaum/
Details

R. Seth Friedman/
Factsheet 5

Heather Findlay/
Girlfriends

Chris Gore/
Film Threat

George Myers, Jr./
George Jr.

Bruno Maddox/
Spy

Randall Lane/
P.O.V.

Chip Rowe/
Playboy Advisor

Barbara O'Dair/
US

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Mode

RADIO STARS
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BLOGGERS &
WEB SITE
PRODUCERS
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Mr. Skin

Stephen Chao/
WonderHowTo.com

Stephen Chao (VIDEO)/
WonderHowTo.com

David Bankston/
Neighborhood America

John Amato/
CrooksandLiars.com

Chris Barr/
C/NET

Scott Woelfel/
CNN Interactive

Mark Brown/
Using Netscape 3

Brian Hecht/
Electronic Newsstand

NOVELISTS
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The Mayor of Lexington Avenue; The Law of Second Chances

Kristin Harmel/
How to Sleep With a Movie Star; The Art of French Kissing; When You Wish

Sara Zarr/
Story of a Girl; Sweethearts

James Grippando/
The Pardon

Tim Dorsey/
Hurricane Punch

Peter Golenbock/
7: The Mickey Mantle Novel

SEXUALITY
Brian Alexander/
America Unzipped

Jim McBride/
Mr. Skin

Stacy Collins and Breann McGregor/
Playboy Special Editions

Chris Napolitano/
Playboy

Chip Rowe/
Playboy Advisor

Heather Findlay/
Girlfriends

BIOGRAPHERS,
HISTORIANS and
A.J. JACOBS
David Michaelis/
Schulz and Peanuts

David Andelman/
A Shattered Peace

Larry "Ratso" Sloman/
The Secret Life of Houdini

Pete Williams/
The Draft

Richard Weiner/
Webster's New World Dictionary of Media and Communications

Will Russell and Scott Stuffitt/
I'm A Lebowski, You're A Lebowski

Brian Alexander/
America Unzipped

A.J. Jacobs/
The Year of Living Biblically

JOURNALISTS
Jeff Kreisler/
My Wall Street Journal; Indecision 2008

Bill Adair/
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Alberto Ibargüen/
Knight Foundation

Sree Sreenivasan/
Columbia University Graduate School of Journalism; WNBC-TV

Eric Deggans/
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Howard Finberg/
NewsU

Dave Jones/
The New York Times

Pete Hamill/
New York Daily News; The Drinking Life

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News of the Weird

COMIC BOOK CREATORS
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Paul Fitzgerald, Cindy Jackson and Stuart Henderson/
Will Eisner & PS Magazine

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Disguised as Superman, Superman on the Couch, Spider-Man Editor

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Elfquest; Masque of the Red Death

Pete Von Sholly/
Capitol Hell; Morbid

Joe Sinnott/
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Chuck Dixon/
The Simpsons Comics

Peter Kuper/
Stop Forgetting to Remember

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Old Jewish Comedians

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Heroes Reborn

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Mark Tatulli/
LIO

Ray Billingsley/
Curtis

Bill Griffith/
Zippy the Pinhead

Lee Salem/
Universal Press Syndicate

WILL EISNER: A SPIRITED LIFE
Deborah Del Prete... On Frank Miller and Producing “The Spirit” Movie

Darwyn Cooke... On Reviving “The Spirit” for the 21st Century

Paul Fitzgerald, Cindy Jackson and Stuart Henderson... On Will Eisner & PS Magazine

Howard Chaykin... On Fighting with Will Eisner

Drew Friedman... On What’s Wrong With the Biography, Will Eisner:A Spirited Life

Andrew D. Cooke... On Producing the Documentary, Will Eisner: Portrait of a Sequential Artist

Pete Poplaski... On Working With Will Eisner, Now and Then

Gary Chaloner... On Refitting Eisner’s “John Law” Character for the 21st Century

Gary Chaloner Podcast

Bob Andelman... On Writing the Biography, Will Eisner: A Spirited Life

Benjamin Herzberg... On Working With Eisner to Craft Fagin the Jew and The Plot”

Ted Cabarga... On Working With Eisner in the 1960s at PS Magazine

Mike Richardson... On Publishing Eisner’s Last Day in Vietnam

Denis Kitchen... On What’s New at Will Eisner Studios

Scott Hampton and Bo Hampton... On Being Eisner’s Studio Assistants

Abraham Foxman... On Publishing Prospects for The Plot in the Middle East


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